In connection to my ongoing research into systems thinking and ecological thought from the perspective of cultural and intellectual history, I read a lot of Arthur Koestler this summer. I read some about him, too. Koestler’s prose was good company. He had a gift for writing about ideas. I’m not sure I would have enjoyed spending much time with him in person.
One essay I returned to more than once was “The Yogi and the Commissar” from 1942. It’s a good example of Koestler’s ability to capture concepts in figurative language. He begins by imagining a device able to break down the spectrum of “all possible human attitudes to life” into bands of light—a “sociological spectroscope,” he calls it. At one extreme end is the infra-red, represented in Koestler’s scheme by the Commissar. The Commissar is the ideologue, willing to take bold action, including “violence, ruse, treachery, and poison,” to achieve the goals his doctrine prescribes. Representing the opposite ultra-violet end of the spectrum is the Yogi. The Yogi’s highest value is his spiritual attachment to “an invisible navel cord” through which he is nourished by “the all-one.” The Yogi “believes that nothing can be improved by exterior organization and everything by the individual effort from within.”
I attempted to describe a similar change-from-without/change-from-within confrontation between radicals in the late sixties in my book, Runaway: Gregory Bateson, the Double Bind, and the Rise of Ecological Consciousness. For illustration, I relied on Marat/Sade, Peter Weiss’s play of the period, but found many other contemporary attempts to express a similar argument. I’m almost certain I’d read “The Yogi and the Commissar” at some previous point, but by the time I got around to writing, I must have forgotten about it. How hard I worked to keep those sections light and swiftly moving! Koestler’s writing seems so effortless on the page that I can only shake my head in admiration.
If reading Koestler was easy, I was often made uneasy reading about him. Face to face, he could be competitive and overbearing. Sidney Hook said Koestler “could recite the truths of the multiplication table” in a way that made people angry. Then there was his treatment of women. Koestler was known for his “crude advances” and a “predatory belief that coercion added spice to sexual intercourse.” At least one woman accused him of rape. Certainly, Koestler had several long-term relationships, but he tended to organize the energies of the women who loved him in secretarial work to advance his literary cause. In his seventies, suffering from Parkinson’s and leukemia, Koestler committed suicide, and was joined in the act by his third wife Cynthia, who was healthy and fifty-five.
To sum up: When we turn Koestler’s spectroscope on his own sexual relations, we get a strong reading of infra-red. His ends justified his means, as they do for the Commissar.
The above impressions, as well as the quotes, are drawn from my reading of Michael Scammell’s 2009 biography. Scammell tells a good story, too. As for the rape charge, he doesn’t simply accept it at face value. He tries to place it in context; he airs a number of considerations. For instance: Koestler’s accuser did not speak immediately about the assault but waited for many decades to pass. She “seemed to have responded by pushing the incident to the back of her mind and accommodating herself to it.” Perhaps what Koestler did wouldn’t have been called rape then, Scammell suggests, but has only been described that way more recently. Koestler made no mention of the incident in his diary, though his diary was the place he regularly listed conquests. On the other hand, Koestler was drinking a good deal during this period, so it’s possible “he was so drunk he forgot all about it.” These considerations, read in light of the Kavanaugh scandal, land like punches to the gut.
In his 1942 essay, Koestler denied any smooth blending somewhere in between the ultra-violet Yogi and the infra-red Commissar. “Apparently the two elements do not mix”; all that “has been achieved so far are various forms of motley compromise.” Two decades later, however, when he brought his intellectual concerns to the sciences and to metaphysics, Koestler allowed himself to imagine a less motley merger. This becomes explicit in The Ghost in the Machine (1968), the last book of a trilogy that includes The Sleepwalkers (1959) and The Act of Creation (1964). Applied not merely to human behavior but to the nature of things in general, the attitudes of the Yogi and the Commissar become opposing “tendencies” or “potentials,” one integrative and the other self-assertive. At certain levels of systemic organization, where entities function as both part and whole, the integrative and the self-assertive occupy the same space, embroiled in “dynamic equilibrium.” Koestler belongs in a tradition of thinkers who sought a grounding for individual and public morality in a synthesis of nature and culture and who strived to describe the living world as a moral environment where the choices of individuals make a difference.
A passage comes in The Ghost in the Machine where Koestler raises “the moral dilemma of judging others.” He has developed an argument in which “the self-assertive, hunger-rage-fear-rape” emotions constrict “freedom of choice.” The loss of freedom in Commissar-like behaviors involve “the subjective feeling of acting under a compulsion.” “How am I to know,” Koestler asks, “whether or to what extent [a person’s] responsibility was diminished when he acted as he did, and whether he could ‘help it’?”
Was he thinking his own behavior here? And if so, was it merely an excuse, a self-serving dodge, or did it have an element of truth?
In Ronan Farrow’s reporting–a year ago, now–we find indications of compulsion in the actions of Harvey Weinstein. After one of his victims went to the police and subsequently wore a wire, Weinstein’s behaviors subsided, a former employee explained. “But he couldn’t help it,” she went on to say. “A few months later, he was back at it.” Donald Trump, too, is often described as having no impulse control. These men see themselves as absolute sovereigns of their worlds; they have severed “the invisible navel cord,” their connection to a larger relevance; they have ignored the pushbacks in their environment for so long that it’s now a habit they can’t break. The paradoxical outcome is a lack of control. Thenceforth, they can’t help but be destructive and vile.
As for “the moral dilemma of judging others,” I understand Koestler’s question, but I’m not sure it’s a useful one. Taking a systems perspective blurs boundaries, including those between self and environment, between us and them, between victim and victimizer, but it doesn’t follow that matters of justice be abandoned or that victimizers be let off the hook. Given time, I suppose, individual cases can be contemplated with scholarly dispassion, as Michael Scammell did with Koestler himself. As for now, it would probably be safer for everyone that the power addict’s power be removed.
A version of this post was published at the Society for US Intellectual History Blog.
By 1968 John Wayne was as politically polarizing a figure as he would probably ever be. In June of that year, he released his Vietnam movie, The Green Berets. He was a vocal supporter of the war, and the film had been made with the full cooperation of the Department of Defense. It presented the US mission in Vietnam as a stand for freedom and justice and blamed America’s difficulties there on a sapping of nerve perpetrated by an unpatriotic press corps. That message might have played less divisively a year earlier, before the Tet Offensive, before Lyndon Johnson’s announcement he would not run again. Screenings drew antiwar protests; reviewers pilloried the film. “The Green Berets became the focus of a divided America,” writes J. Hoberman in The Dream Life: Movies, Media, and the Mythology of the Sixties. “LBJ’s abdication left Wayne the lone authority figure standing.”
Nineteen sixty-eight was also the year Charles Portis’s novel, True Grit, was serialized in the Saturday Evening Post and then released in book form. A movie version came out the following year, starring John Wayne in the role of Rooster Cogburn. As Rooster, Wayne projected no less self-regard than he had as the super-competent, fighting Marine Colonel he’d played in The Green Berets. In other ways, however, Wayne in the Rooster Cogburn role was somewhat reduced: fat, drunk, and with an eye-patch. Wayne embraced the role, was embraced in it, and it came to represent the last phase of his career.
One can’t talk about True Grit in its times without talking about John Wayne, but it’s in the manner of clearing brush from the path. Wayne’s cultural and professional stature shaped the film, focused the story on himself, and thus shaped the way people understood it, especially if they never got around to reading the book. So we need to move Wayne and the film out of the way. True Grit the novel isn’t Rooster Cogburn’s story. It belongs to its narrator, Mattie Ross.
“I was just fourteen years old,” goes the novel’s second sentence, “when a coward going by the name of Tom Chaney shot my father down in the street in Fort Smith, Arkansas and robbed him of his life and his horse and $150 in cash money plus two California gold pieces that he carried in his trouser band.” The year is never named, but a history buff with basic math skills can figure it out—1878. Fifty years have passed since the murder, Hoover has been elected president, and a fully grown Mattie is looking back on how, at fourteen, she hired a U.S. marshal (Rooster) to track the killer into Indian territory, to catch him and exact her revenge. Her supreme confidence in the righteousness of her cause burns even brighter than does Wayne’s and his cohort for the cause in Vietnam. Mattie’s mission, too, is one of justice in the territory, as it were, in the wild.
It may seem absurd to read True Grit as a Vietnam novel. Certainly none of the reviewers blurbed on my copy of the 1969 paperback made that association. They didn’t see the book as divisive, in the way so many events and other cultural items of the period, such as The Green Berets, were divisive. On the contrary, True Grit “should be enjoyed by people of all ages” said the Cleveland Plain Dealer; it was a pleasure “regardless of age, sex, class, color or country of origin” (Newsday); it spoke “to every American who can read” (The Washington Post). If Vietnam and everything else was dividing Americans, here was a book that could bring them together. That commentary itself is a commentary on the times.
Even so, if we broaden the focus a little, we can find a more significant connection in the book’s themes. Explanations for the Vietnam War and other of the United States’ brutal foreign adventures are typically found in a complex of ideas—religious, philosophical, political, economic. According to these ideas, not only providence but a certain economic ruthlessness entitle America to assert its will. So it is with Mattie Ross, with her cause and with her character. In this way, True Grit can be credibly read as a critique of American Exceptionalism at the very time when American Exceptionalism was under a bright lamp of interrogation.
A friend once read the novel on my recommendation and half-dismissed it as mere fable. He couldn’t get past the fact that a fourteen-year-old girl would be permitted along on the hunt. “That would never happen,” he said. But to reject this plot point is to underappreciate who Matte is. She bullies Rooster into taking her with him, just as she bullies everyone who gets in her way. A good deal of the book’s humor comes from the fact that Mattie doesn’t realize what an insufferable hard-ass she is. Rather, she sees her way as the way of things, which she constantly justifies, sometimes with platitudes of the Protestant work ethic, sometimes outright with verses of scripture, but mostly with the logic of the market.
“When I have bought and paid for something I will have my way,” Mattie tells Rooster. “Why do you think I am paying you if not to have my way?”
The authority of money and the authority of scripture: Max Weber made that connection a long time ago in The Protestant Ethic and the Spirit of Capitalism. For a more contemporary take, I read William E. Connolly’s 2010 essay, “The Evangelical-Capitalist Resonance Machine.” There Connolly describes a self-perpetuating “assemblage” of “cowboy marketeers” and Left Behind series enthusiasts. What energizes this assemblage, he wants to know, what makes it so angry and so drawn to retributional violence? Connolly attributes these characteristics to the displaced venting of existential resentment. One side resents the future, that it requires a check on present-day greed; the other side resents those whose alternative faiths saddle their own with uncertainty. These anxieties reverberate, their “electrical charges resonate back and forth,” so that
its participants identify similar targets of hatred and marginalization, such as gay marriage, women who seek equal status in work, family and business; secularists, atheists, devotees of Islamic faith, and African American residents of the inner city who do not appreciate the abstract beauty of cowboy capitalism.
Evidence of what Connolly was talking about can be found in our current president’s obsession with strength and his eagerness to express it through cruelty. A certain segment of the population was looking for someone to deal with immigrants, uppity women and people of color as John Wayne would a desperado in the territory. They were looking, as Mattie was, for someone with grit, so as not to dilute with mercy the righteousness of their revenge.
But these are harsh readings of Portis’s novel and probably not the best ones. They fit better other fictional characters we’ve come to know: Captain Ahab, Noah Cross, Mr. Potter, Daniel Plainview. We despise these characters, and rightly so. In contrast, Mattie Ross has our sympathy and even our affection. The “I will have my way” line quoted above comes during a contentious argument over whether she and Rooster will join forces with the Texas Ranger who is also tracking Tom Chaney for another crime, and whether Chaney will be taken alive. Mattie is adamant, insisting on exactly the revenge that she’s paying for. “You are young,” Rooster tells her. “It is time you learned you cannot have your way in every little particular. Other people have got their interests.” Mattie reports this dialogue but pays it no heed. The reader chuckles. Rooster’s assessment is very accurate, indeed.
Both film versions of True Grit have much to recommend them. Neither do justice to the book. Neither find it possible to dramatize Portis’s heart-breaking handful of final paragraphs. This is where the reader grasps the true price Mattie paid for her revenge, and that it was bigger than the one she reckoned. Now in her sixties, she’s a rich and powerful business woman, a personage in her community, with a finger in many pies. She’s also bitter and loveless, a character people fear but make fun of behind her back.
They say I love nothing but money and the Presbyterian Church and that is why I never married. They think everybody is dying to get married. It is true that I love my church and my bank. What is wrong with that?
To answer Mattie’s question, nothing is wrong with that, not on the face of it. But again, in these final paragraphs, Mattie reveals something she doesn’t herself see. She never learned what she needed to learn about other people’s interests, and that makes Portis’s great comic novel a great American tragedy.
This essay also appears at the Society for US Intellectual History Blog.
We were walking, my wife and I, from our parking space to the door of the Beto O’Rourke campaign office in south Dallas on the evening of its official opening celebration. Beto, running to unseat Ted Cruz in the US Senate, was scheduled to appear. Even before we got to the door, we could see a crowd of people around it and more like us converging from their own parking spaces. Coming up alongside us was Daniel, who I recognized from numerous other political events.
I recognized him, in fact, from that first meeting of the Indivisible chapter that had formed in the central Dallas neighborhood where I live not long after the 2016 election. The Unitarian church offered a space, and about forty people had gathered, all of us still shell-shocked and raw. People were standing up, speaking out, expressing their pain and dismay. “But what can we do?” was the predominant message. Daniel made one of those speeches.
After that first meeting, I committed to becoming credentialed to register voters. Daniel was the other person who showed up at the county office for training. In the following weeks, on several Saturday mornings, we set up registration tables in libraries. At the university where I teach, I let folks know I could register them, and I got a handful of takers. All told, I probably signed up a couple of dozen. Although the weekly news kept bruises fresh, I let the business of life take precedence, and my interest in the nuts-and-bolts part of the work waned. At first I was showing up at everything, then about half of everything, and then being too busy became an acceptable private excuse.
Daniel followed a different trajectory. I’d read in a Facebook post that he was racking up the registrations. Greeting him there on the way to the Beto office opening, I asked how many he’d filed.
“Six hundred,” he said, and then added, “This year.”
What?! I remembered those mornings in the entranceway of the local branch, people ignoring us, hardly anyone stopping by. He must have figured it out. I asked him, “What’s the secret?”
“I don’t know,” he said. “Last night there was a line of people waiting to get into the Bomb Factory to see a show. I got twelve.”
Daniel was diligent. Also maybe it had gotten a little easier. The three of us threaded through the crowd at the door and into a large room packed tight with people. Beto had not yet arrived. People were waiting as, up on the stage, a local Rolling Stones cover band was playing “Let’s Spend the Night Together.” The guitarist was an old bandmate of mine. He’d been at that first Indivisible meeting, too, as had his wife, whose activism ever since had been Daniel-like in its intensity. In fact, as I looked around I noticed several, sprinkled here and there, who’d been at those first few Indivisible chapter meetings, when hope was in such short supply. Now they were outnumbered fifty or sixty to one, and hope was running in a current, lifting us all a few inches off the ground.
Maybe Texas, I let myself think, was going to have its blue wave, after all.
Lawrence Wright’s book, God Save Texas, came out last spring, and I read it not long after with great pleasure. Wright is a staff writer for The New Yorker. He won a Pulitzer for his book on 9-11, The Looming Tower. A baby boomer, Wright grew up in Dallas and has lived in Austin since 1980. In this latest book, he covers all the important aspects of his home state– its cities, its regions, its history and music– but his main topic is politics. Texas politics have always had a “burlesque side,” Wright acknowledges, a “recurrent crop of crackpots and ideologues,” and now it’s as bad as it’s ever been. The problem is that the state’s size renders it especially influential. “Texas has nurtured an immature political culture that has done terrible damage to the state and to the nation,” Wright believes.
Whether it’s because of this influence or despite it—that’s unclear—but Texas is not all that different politically from the great middle bulk of the nation these days. In the 2016 election, Wright points out, its party margins mirrored those of Ohio. When he looked at vote distribution, “it was hard to see where Texas ended and the rest of the country began.” Yet the state’s right wing zealotry is misleading, Wright argues. It isn’t representative of “the actual political demography of the state.”
I took heart at this, but is it mere apologetics? Wright doesn’t downplay the bad in Texas. The state ranks near the bottom in education achievement and spending per student. It’s near the bottom, too, in upkeep and condition of its infrastructure. For a state that that “is projected to double in population in thirty years, Texas has done little to prepare itself,” says Wright. “The refusal to face these challenges head-on seems to me not only imprudent but decidedly un-Texan.”
Un-Texan? That’s what I mean by apologetics. How will non-Texans take that last sentence, I wonder? Hiking one evening this summer in a park in Quebec, my wife and I got turned around, and a couple from Montreal helped us. We walked along with them for a while until the conversation turned to where we were from. My wife told the truth before I could stop her, and the couple sped along pretty quickly after that. Part of being a Texan is never being sure just how much contempt those outside the state hold for us, whether it’s more than we think they do or less.
I’ve been an apologist for Texas culture at times in my life. It was always a strain, but I gave it up completely about the time George W. Bush became president. To be honest, I’ve had a hard time feeling at home here with the ascendency of the current state leadership, who, it’s often remarked, make W. look Lincolnesque in comparison. W. and I reside in the same city, and once in a while I hear of sightings, all of which betray a grudging fondness. The smirk and the swagger have evaporated. The man now exudes humility, I’m told. Characteristic of this is the fact that he’s content to devote himself to painting without pretending to have any talent for it. Oh, I’m sure I could generate some of the old scorn with only a few reminders, but there’s so much more to be concerned about now.
Waiting for Beto, the crowd continued to grow, and the AC wasn’t up to the challenge. The bald pate of the man in front of me ran sweat in rivulets. Seven-by-five handouts were going around, slick cardstock, printed in full color, with photos and platform points of special interest to south Dallas. Immediately they were everywhere flapping, employed as fans. As The Stoners played “Satisfaction,” Beto came into the room through a rear door. A local hopeful introduced him, and he took the stage.
Self-effacing and affable, warming up to make his pitch, the candidate made a big deal about the band. “You know if this Senate thing doesn’t work out,” he said, “I might ask if the Stoners need a fifth member.” There were a few laughs, some clapping, but the comment was not well received overall. In this climate, this close to the election, people didn’t want to contemplate a loss.
“It’ll work out!” someone yelled.
“Ted Cruz can be the fifth member!” another shouted.
What was Beto like? What did he do and say? I won’t belabor this much further. You can get a look at him and hear him speak in any number of settings—the video links on Youtube are legion. His answer to a town hall question about kneeling during the anthem has recently gone viral, for whatever that’s worth. This was my third time to see him live, however. The first time was on a corner at a march in support of immigrants, before many knew who he was. The second time was well into the race, in the Texas Theater, the old movie house where they arrested Oswald, and there was a line down the block to get in. So how did this third time compare?
He led with his more radical positions—the ones listed on the 7-by-5 card: ending the school-to-prison pipeline; legalizing marijuana and expunging the records of those formerly jailed for the offense; a living wage and health care for all. His voice was hoarse, and yet he spoke with more volume. This may be a matter of calibration. The election is not that far away.
I’ll end with a passage from Wright, one where he demonstrates his attention to history.
Texas leads the nation in Latino population growth. Latinos account for more than half the 2.7 million new Texans since 2010. Every Democrat in Texas believes that if Hispanics voted at the same rate in Texas as they do in California, the state would already be blue. ‘The difference between Texas and California is the labor movement,’ Garnet Coleman, a Houston member of the Texas House of Representatives, told me. In the 1960s, Cesar Chavez began organizing the California farmworkers into a union, which didn’t happen in Texas, a right-to-work state. ‘Labor unions create a culture of voting and political participation,’ Coleman observed. In Texas politics, Coleman believes, ‘everything is about race. It’s veiled as public policy, but it encourages people to believe that their tax dollars are going to support lazy black and brown people.’ Political views have become more entrenched because of redistricting, and yet the demographic majority in Texas is far more progressive than its representatives. Coleman predicts a showdown. ‘This is the battle about the future of the country, based on a new majority, and we have to have this out.’
We left the Beto event feeling part of the new majority. The people in that room are ready to have it out.
The following is my response to a roundtable published at the Society for US Intellectual History Blog. Links to the essays in the roundtable can be found here.
Not long before going into the room to defend my dissertation, I was advised by a mentor–and I’m paraphrasing–“This may be the only time your scholarship will ever receive such close attention. Enjoy it.”
I’m just going to give anyone who’s ever defended a dissertation a moment to reflect on these remarks, to savor their layers of meaning, and maybe to chuckle at them a little ruefully, as I did in that small part of my brain where, at that point in my academic career, I still had room left to entertain a complex truth.
Because, I want to say, this was indeed honest advice, full of plainspoken wisdom, and yet the prediction it contained turned out not to be accurate, after all. Here at the S-USIH Blog, three scholars have weighed in on my book, Runaway: Gregory Bateson, the Double Bind, and the Rise of Ecological Consciousness. I share the anecdote above as way to tell these three, Colin Campbell, Michael Kramer, and Lilian Calles Barger, how grateful I am for this roundtable and for their engagement with the book–and how I don’t take it for granted even a tiny bit.
Each of these reviewers offers summary statements so concise and so accurate as to make an author teary-eyed. More productive, if less wholly pleasing, is the feedback these readers bring that pertains to what was left out of the book, what I might have explored further, or more critically, what I raised as a central issue but did not make fully clear. These are the matters I’ll focus on here.
First, however, a few brief summary statements of my own may be necessary. Michael J. Kramer does the book a service by clarifying its central concerns: the double bind concept, the related concept of systemic runaway, and the moral implications that a systemic orientation raises, which Bateson would capture in the phrase, “the riddle of the Sphinx.” These concerns, in turn, provided a ten-year narrative arc the book loosely follows: the construction of double bind theory in 1956 through its application to the discourse of ecocatastrophe at the Congress on the Dialectics of Liberation in the summer of 1967–and in what may be the first discussion of global warming before a lay audience.
That audience, of course, is vital to any contextual understanding of these concepts and events. As a scholar who has done so much work in the cultural history of the 1960s, Kramer knows that audience well. It was one raised to oppose, as if by instinct, totalitarianism in all its forms and to exalt individual free expression. How to square this with ecological holism? In raising the whole above the parts, didn’t one run the risk of inscribing morality into nature, and succumbing to, as one of the historians Bateson corresponded with put it, “the siren to be feared”? Fascism, with its naturalization of the body politic, had only recently been defeated, perhaps only temporarily. Kramer puts his finger on a concern that would become more salient in the seventies, the eighties, and beyond: Weren’t those persuaded by systemic thinking now vulnerable to neoliberalism and its trust in the free market as a system and, as Kramer puts it, “ultimate balance by the invisible hands”? If I could continue the path this book opens, and follow Bateson’s thought into the next decade, this would be one of my guiding questions.
Still, I think a response to the question is present in the book. Yes, according to a systems view, the free market is a system over which no individual or group has control. Like all systems, it processes information running in circuits, reinforcing basic premises, conserving ‘sacred’ truths. If those truths include the belief that human beings are creatures whose survival necessitates the maximization of self-interest, an economy dependent upon endless capital accumulation and reproduction is the sort one would expect to get. As early as 1958, Bateson described a culture in a double bind. “From its own point of view, the culture faces either external extermination or internal disruption, and the dilemma is so constructed as to be a dilemma of self-preservation in the most literal sense” (254). We might apply this description to our present-day economic system. To preserve a self dedicated to full individuation means extinction at the cultural level. Preserving the culture means disrupting if not extinguishing the fully individuated self.
Colin Campbell might put the situation a bit differently. It was especially challenging for me to think through his request for greater coherence as to the “battle of ideas” at the core of the book. Campbell identifies this battle as a battle between atomistic and holistic epistemologies as illustrated by Mary Catherine Bateson’s left (atomistic) and right (holistic) columns, which she produced in the thick of the conference her father led in Austria of the summer of 1968. This is an accurate breakdown, as far as it goes. I wasn’t thinking, however, quite so schematically. I didn’t draw so close an equivalence between Batesonian epistemology, as I summarize it in the introduction of the book, and Mary Catherine Bateson’s right-hand column. Nor do I see as automatic an equivalence between the right-hand column and the position of the “mindblowers” at the 1967 Congress on the Dialectics of Liberation in their contest with the politicos on the nature of revolution.
In short, I may be working a little closer in than Campbell would prefer. As I see it, this wasn’t a single battle of ideas; it was several battles. They were related, to be sure, but distinguished from each other by an ever-changing historical context. I do think Bateson believed his more process- and relations-oriented epistemology to be superior to and should replace an obsolete, “thingish” epistemology (3, 78), simply because it provided a more accurate view of nature and of ourselves. But because I didn’t draw the initial equivalences that Campbell draws, that isn’t the same thing as saying that Bateson believed that Mary Catherine’s right column ought to “eat” her left one.
Yet Campbell’s request for more coherence on this central question is a valid criticism. Does Bateson’s thought transcend or merge the left column’s straightforwardness and the right column’s complexity, and if so, how? This is the million-dollar question, and Campbell’s elucidation of the simplicity/complexity dichotomy was excellent in posing it clearly. I benefited, too, from his detailing, through examples, of the “intra- to each side.” His application of Virginia Satir’s quadrant sharpened the theoretical focus even further.
I would only ask whether this analysis takes us any closer to the merger of left and right sides that we desire? I tend to think not. I resist a rhetorical closure on the question in favor of a contextually rich historical depiction. When we concentrate on the ideas alone and lose the messy story, the picture becomes less accurate, if less satisfying in terms of a conclusion. The dilemma captured by the double bind concept is the merger, it seems to me—or was, anyway, in the summer of 1967. Thus, as Campbell recognizes, the question remains open, as I think it must: How do we stand meta to the dichotomy? I’m informed by Campbell’s bio that he’s working on a couple of studies of Bateson’s thought that I expect will offer a more decisive interpretation. I’m looking forward to reading them.
The merger that Bateson sought to capture epistemologically ran parallel to other similar projects across many registers and bodies of knowledge during the period in question. Sometimes the merger was called a “third way” (239, 249) or, as Lilian Calles Barger puts it in her reflection, “a higher synthesis.” Barger’s book, The World Come of Age, traces this project among liberation theologians in the 1960s and 70s. It isn’t surprising, then, that Barger would call attention to “the mystical Bateson,” another aspect of Bateson’s thought that is raised in my book but not as thoroughly examined as it might have been.
Certainly, the tensions between spirituality and secularity were never far away from the story I tried to tell. Throughout the modern age, but after Darwin especially, liberal theologians found ways to accommodate religion to the rising authority of science: this was the modernist model. What was essentially postmodernist in Bateson’s thought, as I see it, was its reversal of this trend. He argued for an accommodation by science to the religious impulse, broadly understood. As a trained anthropologist, for whom the line between nature and culture was permeable, he read religious behavior as part of humankind’s natural history. As a scientist for whom no area of investigation was separable from its contexts, he concluded that all human investigation of the surrounding world was reflexively an investigation of the human. Here the religious and scientific impulses were on a par.
Much of Bateson’s lay audience grasped this intuitively. Bateson would reject the status of “guru” even though many wished to see him that way. This rejection, another of Bateson’s great refusals, was complicated by the fact that New Age-ish institutions provided aid to him during the trials of his final years. Also, starting in the 1970s, Bateson’s thought was often lumped with the thinking of a less-rigorous body of enthusiasm. The marginalization of much of what I would call postmodern science is a story that bears investigation. Again, if I had the chance to continue my contextualization of Bateson’s thought after his emergence as a public intellectual in 1967 and through the remaining years of his life, this story would be included.
In responding to issues raised by my reviewers that were not fully explored or resolved in the book, I’ve pointed in each case to the following period, after the 1967-68 turning point, to the other side of my narrative arc. That’s a little embarrassing. If I’ve given short shrift to all I did include, my reviewers mentioned a good bit of it, and again I want to thank them for that. But I also want to make one last point. I alluded above to working “close in.” In writing this book, I tried to stand meta to an analytical/aesthetic dichotomy, too. Part of that meant drawing boundaries. Some stories just can’t be told in one volume, not the way they ought to be, anyway.
A version of this essay appears at the S-USIH Blog.
This week S-USIH posted a roundtable on *Runaway.” The first installment came from Lilian Calles Barger. Here’s the link: https://s-usih.org/2018/07/batesons-great-refusal-a-reflection/
The second installment came from Michael J. Kramer. Here’s the link: https://s-usih.org/2018/07/cherish-your-exceptions/
The third installment came from Colin J. Campbell. Here’s the link: https://s-usih.org/2018/07/bridging-the-gap/
No one was forcing them to believe in anything, these fifteen-year-old Unitarians, taking their turns at the pulpit. They were delivering “spiritual reflections” to their parents and friends on a recent Saturday evening. Their speeches were the culmination of a year’s worth of coming-of-age classes they’d attended, a formal summing up of what they’d learned and where they stood. They were an impressive and articulate group, and I’m not saying that just because my daughter was one of them.
What a pluralistic exercise it was–each speech a nuanced and individual expression. Still, if I were to perpetrate some analytical violence on the reflections as a whole, I might divide them into three categories. The first group, when facing the big questions, turned to science. If science couldn’t explain or solve everything, it offered the best method of investigation, the best source of solutions to be found. The second group had arrived at a kind of working dualism. They, too, deferred to science but allowed for a realm not reachable through its procedures. A few placed God in that realm, though they did so with understandable diffidence. The third group restricted their comments to practice. “What’s the use of putting beliefs into words?” they implied. Even the vaguest metaphysical statement lands somewhere on the dogma spectrum. What’s important is tending to our relationships, enjoying them, nurturing them, caring for them. I’ve always admired third-category people, but I suppose I’m too fond of categorizing to ever count myself among them.
These three groups are not novel in any way. In fact, my impression was, despite constant and ever more rapid technological change, how very little the basic questions and options have changed. It was also my impression that the largest group was probably the first one. Again, no surprise. The dominant American culture is secular. The liberating effect of scientific knowledge and technological innovation is its creed. The cult of progress seems undimmed, even against the prospect of climate change. Indeed, the belief in salvation via technology seems to take its purest form when that prospect is most directly confronted.
David Wallace-Wells’ lengthy article of last year, “The Uninhabitable Earth”–the most-read of any published in the history of New York magazine–expresses what I mean. As its title suggests, the article was a lengthy survey of worst-case consequences for a planet predicted to warm by several degrees. In his conclusion, Wallace-Wells remarks on the fundamental optimism of the climate scientists he’d interviewed: “They point to the Apollo project, the hole in the ozone we patched in the 1980s, the passing of the fear of mutually assured destruction. Now we’ve found a way to engineer our own doomsday, and surely we will find a way to engineer our way out of it, one way or another.” Wallace-Wells identifies this as “a strange kind of faith.”
Sarah J. Ray is a professor at Humboldt State University and the coordinator of its environmental studies program. The environmental humanities journal, Resilience, sent out a notification about a talk Ray gave at Swarthmore College called “Coming of Age at the End of the World: Eco-Grief, Effective Resilience, and The Climate Generation.” A transcript of the talk was posted online, and I read it with great interest. Ray described the typical student in her program and their “emotional journey” through its curriculum. Students enroll in environmental studies at Humboldt because they are concerned about the environment, specifically about climate change, she explained. Many saw An Inconvenient Truth when they were children, “a major watershed moment for them.” In the time-honored way of young people, now they want to be part of the solution.
I can see some of the young people in my daughter’s coming-of-age class making the decision to go to Humboldt or some place like it in a few years, especially those in the first group. In fact, a number of Ray’s students start out in environmental science but then first-year botany does them in. Too dry? Too demanding? “They want to understand the human element,” Ray said. “They want to think about power and politics and economics and history and religion and literature.” I can sympathize. At this point, some shift to environment studies. There they get more liberal arts but it’s also, “in some ways, emotionally more difficult.”
How so? Ray described the next part of her students’ journey as “various rugs being pulled out from underneath” them. By the second year at least, they’ve begun to grasp the scale of the problem. There is no straightforward fix, they learn. Experts and education aren’t reliable. They’ve considered the social construction of words like “nature”–the basic concepts we employ to orient ourselves in the world. They begin to see how deeply sunk are the causes of our climate predicament, not only in the way we live but in the way we organize perception. “They become fatalists in the face of no easy solutions and immobilized by a growing awareness of their pervasive complicity in the problems.” Their faith, one might say, has been shaken. Not a few of them wind up in her office in tears.
Ray calls this “climate trauma” and “ecological despair.” My ears perked up at these phrases. In my book, Runaway: Gregory Bateson, the Double Bind, and the Rise of Ecological Consciousness, I tried to approach this trauma historically. I looked at the interface between systems thinking and the emergence of modern environmentalism in the late 1960s. I didn’t use Ray’s terms but one from a quote of Richard Falk’s–“the apocalyptic encounter.” The apocalyptic encounter is to confront the depth of our pervasive complicity, to grasp that our predicament isn’t an engineering problem to be solved by better engineering, but about who we are, what we do, and how we know. Whether this is a formal and prolonged encounter, like the one Ray’s students undertake, or whether it’s a glimpse only momentarily bearable, the response can be a crisis of faith. To conceive of this response in the pattern of what Bateson called double bind is to see it as an urgent act of retrenchment of the very faith that the encounter indicts. That retrenchment is again undermined by evidence, and the pattern repeats itself. The oscillation between undermining and retrenchment results in immobilization and pain. It’s an “urgency plus inability equation,” in a phrase of Michael Maniantes, one of the scholars Ray cites. It’s what her students are feeling.
Ray eventually realized that her office was not the place to deal with her student’s climate trauma, that she was not trained to handle it, that it was taking time from her other duties as a classroom instructor and administrator. It got in the way of her research agenda. With encouragement from another scholar and friend, Ray changed her agenda to focus on the trauma itself. She wants to learn about it, understand it, and develop ways to bring it into the classroom. She wants to use the curriculum to build “new muscle” in her students so that they develop “emotional resilience.” Ray is working on a book on this topic. She has some ideas and offered several of them in her talk. They include making the emotional content of classroom material more transparent. They include affirming self-care. They include study of the history of social movements and of theories of social change.
Ray’s talk and ideas set my mind off in so many directions that I can’t take them all up in one post. For the time being, I’ll conclude with one obvious thought. We’re all Ray’s students, are we not? We may not be doing their assignments, but what they confront, we confront, too. We’re experiencing the trauma, we’re coming of age–but how healthily, I wonder? I think about all the anger and blame I feel toward those who deny climate change complicity per se. Yes, when I think about these folks, the stance of the current administration, the disposition of today’s EPA—I want to shake my fist, I want to cry. As if fixing them will fix the problem. Surely the anger I feel is legitimate and necessary. At the same time I wonder if it isn’t a kind of denial all its own.
A version of this post appears at the Society for US Intellectual History Blog.
Every six weeks or so, my wife and I meet with several other couples for “Record Club.” Whichever couple is hosting that night provides dinner and chooses a theme. Everyone comes with music, and we go around the circle, listening to the songs we brought and relating them to the theme. Tonight’s meeting will be at our house, and the theme is “Ballads, Social Music, and Songs.”
In 1952, the Anthology of American Folk Music was released on Folkways Records, compiled by the artist, experimental filmmaker, and all-around New York eccentric Harry Smith. The anthology consists of 84 recordings taken from Smith’s collection of 78s, all made between 1927 and 1932, the first boom in commercial recordings aimed at a general audience. Smith organized the selections into three categories of two discs each. His categories were “Ballads,” “Social Music,” and “Songs.”
When I first studied the anthology years ago, Smith’s categorization fascinated me. I was delighted that “Social Music” meant religious music and dance music. It seemed altogether fitting that these two types of music were classed together, though I’d been raised to believe they were on opposite ends of the moral spectrum. Of course, even among Protestants, there is disagreement on this question. Some sects let the music move them; others don’t allow any music at all.
The “Ballads” category was also unexpected. By ballads, today, we mean big, slow love songs, with the emphasis on melody rather than the beat. I like a good ballad as much as anybody, but if you’re playing in a bar band, you don’t want to put too many ballads in one set. But Smith wasn’t referring to tempo or melody or even to subject matter. He meant narratives, story songs, most told in the third person. Many of his anthology selections were American versions of the so-called “Childs ballads,” a group of centuries-old sung stories from England and Scotland that had first been chronicled by Francis James Child in 1860. Others had a strictly American provenance, including African-American (“Gonna Die with My Hammer in My Hand,” “Stakalee”), though Smith, a forward-thinking individual, made no racial distinctions in the liner notes of the accompanying booklet. Americans were Americans, when it came to making music, which is pretty much the way musicians look at it.
The “Songs” category was the most intriguing. Song is the generic term for all such music–at least when there are lyrics involved. So how could it be a sub-category? Greil Marcus helped me out with this. In his 1997 book, The Invisible Republic, he writes:
Songs are ‘folk-lyric’ songs, made up of verbal fragments that had no direct or logical relationship to each other, but were drawn from a floating pool of thousands of disconnected verses, couplets, one-liners, pieces of eight. Harry Smith guessed the folk-lyric form came together sometime between 1850 and 1875. Whenever it happened, it wasn’t until enough fragments were abroad in the land to reach a kind of critical mass–until there were enough fragments, passing back and forth between blacks and whites as common coin, to generate more fragments, to sustain within the matrix of a single musical language an almost infinite repertory of performances, to sustain the sense that out of the anonymity of the tradition a singer was presenting a distinct and separate account of a unique life. It is this quality–the insistence that the singer is singing his or her own life, as an event, taking place as you listen, its outcome uncertain–that separates the song, from which the singer emerges, from the ballad, into which the singer disappears.
Marcus gives us a lot to chew on here. If ballads tend to be in the third person, songs tend to be in the first. If the singers disappears into the ballad, the singer steps out in the song. What ballads shared, Smith suggests in his notes, is their “narrative unity.” This posits some distance between the making of the lyrics and the singing of them. A story not only occurs in a distant time, it must also be prepared, its beginning, middle, and end worked out, prior to its performance. Songs may be no less prepared, but the impression they are meant to convey is one of immediacy. This song is “taking place as you listen.” The singer’s individuality and the immediacy of the performance are the point. The singer is the center of the song, the chief character who feels the song as it’s performed, and who the listeners are urged to identify with so to experience their own individuality.
What strikes me about this passage is the way it underscores Smith’s project not only as ethnography but as history. His categories become analytical tools to historicize the development of a genre that is ubiquitous today. The song is arguably the most prominent genre we currently have to express what it is to be human, and if not the most prominent, surely the most democratic. One doesn’t have to be a trained musician or even all that talented to create and perform a two-minute song. And given that Smith’s ‘song’ category–a performance that conveys individuality and immediacy–is practically the present standard, the history of that genre is worth contemplating. Such contemplation leads one to realize that the performance of music wasn’t always like that, that ‘songs’ weren’t always songs as we know them, and that this genre, with its essential individualism, is therefore particularly modern.
If it’s true that songs, as I’ve used the passage in Marcus to help me describe them, did not exist prior to the modern, then their emergence must have been accompanied by the discomfort we typically associate with a dawning modernity. It’s the discomfort of moving from the accepted pronouns “we” and “us” to the more audacious “I” and “me.” In ballads, what’s important are the stories we’ve inherited as a folk. Their spacious and oft-repeated renderings allow for the variety of interpretations that tell us who we are, collectively, and that help us understand the roles we’ve been assigned to play. In social music what’s important is that we’re all together, relating to each other in ritual movements, or performing the same liturgies together and proclaiming the same doctrines of belief. That’s the ballad; that’s social music.
But songs? They must have come as an affront. What does it matter who you are and what you’re feeling right now–apart, that is, from the rest of us? I can’t find my copy of Blues People just now, but I seem to remember Leroi Jones making a similar point about the development of blues–how it was foremost an expression of individualism, apart from the community-made musics of the church and the field. What I’m describing here are the growing pains of the individual emerging from community, a hallmark of the modern if there ever was one.
Aside from discomfort, such a performance must have been imagined, desired, and felt as somehow necessary before a genre existed to enact it. I can imagine the most progressive folk artists feeling this need, reaching for those fragments of lyric Marcus mentions: “I’d rather be in some dark holler, where the sun refused to shine.” “My name I’ll never deny.” “Forty dollars won’t pay my fine.” These fragments were used as place-keepers perhaps, while the tropes and conventions we have since come to know were developed over time.
Smith’s anthology was received and had its greatest influence during that particularly hairy stretch of the Cold War when what was considered the most popular music was the escapist soundtrack of domestic containment. The anthology offered an alternative. It offered a source of inspiration and material to the folk and blues revivalists of the fifties and early sixties. “In that music is the only true, valid death you can feel today off a record player,” said Bob Dylan in a quote cited by Marcus.
Bringing up Dylan again raises the issue of the song and its evolution. As politics, the folk revival was a call for collectivity. It directed attention to social problems, advocated for civil rights and peace, and eschewed the commercial as corporately designed to distract us from the troubles we share. Dylan tipped his hat to the collective and gave the movement two or three of its greatest anthems, but then got busy advancing the song in the direction it had been going for a least a hundred years: the ego in the moment. Dylan, it shouldn’t surprise us, may have been listening more closely than most to the actual music in Harry Smith’s compilation–in any case, to the two discs of “Songs.”
A shorter version of this post appears at the Society for US Intellectual History.